D#7b13 Guitar Chord

How to play D#7b13: a dominant 7th flat 13 built on D#, with 1 voicing, the notes, the keys it belongs to, and songs that use it.

Chord Diagram

5X
A common voicing

The first diagram is a common voicing: played at the 5th fret. An X above a string means don't play it; an O means play it open.

How to play D#7b13

Frets from the low E string to the high E string: x 6 5 6 6 7 (x = not played).

  1. Fret the D string at the 5th fret.
  2. Add the A, G and B strings at the 6th fret.
  3. Add the high E string at the 7th fret.
  4. Strum from the A string down; the low E string stays silent.
D#7b13 and Eb7b13 are the same pitches spelled two ways, so the fingerings are identical. See Eb7b13 for the other spelling.

Notes & Intervals in D#7b13

NoteD#FxC#BE#
IntervalR3b7b139

D#7b13 is a dominant 7th flat 13 with D# as its root. The full theoretical spelling is D#, Fx, A#, C#, E#, G#, B. This voicing omits the 5th and 11th, the tones guitarists drop first when fitting a chord onto six strings. A note on 13th chords: the root, 3rd, 7th, and 13th are generally considered sufficient in practice, although the technical definition spells the 9th and 11th as part of the chord too.

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Keys That Use D#7b13

D#7b13 is not a diatonic chord in any major or minor key: it turns up as a borrowed chord, a passing chord or an altered dominant, which is part of its color.

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Questions About D#7b13

What notes are in the D#7b13 chord?

D#7b13 is spelled D#, Fx, A#, C#, E#, G#, B: the root, 3rd, 5th, flat 7th, 9th, 11th, flat 13th. The common guitar voicing sounds D#, Fx, C#, B, E#, leaving out the 5th and 11th.

How do you play D#7b13 on guitar?

Frets from the low E string to the high E string: x 6 5 6 6 7 (x means the string is not played). Fret the D string at the 5th fret. Add the A, G and B strings at the 6th fret. Add the high E string at the 7th fret. Strum from the A string down; the low E string stays silent.

What key is the D#7b13 chord in?

D#7b13 is not a diatonic chord in any major or minor key: it turns up as a borrowed chord, a passing chord or an altered dominant, which is part of its color.

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