Eb7b13 Guitar Chord

How to play Eb7b13: a dominant 7th flat 13 built on Eb, with 1 voicing, the notes, the keys it belongs to, and songs that use it.

Chord Diagram

5X
A common voicing

The first diagram is a common voicing: played at the 5th fret. An X above a string means don't play it; an O means play it open.

How to play Eb7b13

Frets from the low E string to the high E string: x 6 5 6 6 7 (x = not played).

  1. Fret the D string at the 5th fret.
  2. Add the A, G and B strings at the 6th fret.
  3. Add the high E string at the 7th fret.
  4. Strum from the A string down; the low E string stays silent.
Eb7b13 and D#7b13 are the same pitches spelled two ways, so the fingerings are identical. See D#7b13 for the other spelling.

Notes & Intervals in Eb7b13

NoteEbGDbCbF
IntervalR3b7b139

Eb7b13 is a dominant 7th flat 13 with Eb as its root. The full theoretical spelling is Eb, G, Bb, Db, F, Ab, Cb. This voicing omits the 5th and 11th, the tones guitarists drop first when fitting a chord onto six strings. A note on 13th chords: the root, 3rd, 7th, and 13th are generally considered sufficient in practice, although the technical definition spells the 9th and 11th as part of the chord too.

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Keys That Use Eb7b13

Eb7b13 is not a diatonic chord in any major or minor key: it turns up as a borrowed chord, a passing chord or an altered dominant, which is part of its color.

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Questions About Eb7b13

What notes are in the Eb7b13 chord?

Eb7b13 is spelled Eb, G, Bb, Db, F, Ab, Cb: the root, 3rd, 5th, flat 7th, 9th, 11th, flat 13th. The common guitar voicing sounds Eb, G, Db, Cb, F, leaving out the 5th and 11th.

How do you play Eb7b13 on guitar?

Frets from the low E string to the high E string: x 6 5 6 6 7 (x means the string is not played). Fret the D string at the 5th fret. Add the A, G and B strings at the 6th fret. Add the high E string at the 7th fret. Strum from the A string down; the low E string stays silent.

What key is the Eb7b13 chord in?

Eb7b13 is not a diatonic chord in any major or minor key: it turns up as a borrowed chord, a passing chord or an altered dominant, which is part of its color.

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