Classical
Intermediate

Jesu, Joy of Man's Desiring

Jesu, Joy of Man's Desiring is the chorale that closes both halves of Johann Sebastian Bach's 1723 cantata Herz und Mund und Tat und Leben (BWV 147), where it is sung as "Jesus bleibet meine Freude." Bach did not invent the hymn tune itself: it began as a melody by the violinist Johann Schop in 1642, which Bach reharmonized and wrapped in the flowing instrumental line that the whole world now recognizes. That rippling figuration, originally for the cantata's violins and oboes, is the real magic of the piece: a stream of gentle triplets that never stops moving while the harmony changes slowly underneath. The piece became a household name two centuries later when the English pianist Myra Hess published her beloved piano transcription in 1926, and it has been a fixture of weddings and quiet Sunday playlists ever since. This arrangement returns to Bach's original and sets the famous instrumental line, together with the first singing phrase of the chorale itself, for solo guitar in G major, the work's home key, with the melody flowing on the top strings over a simple bass. It is written here in 9/8, which reads identically to Bach's 3/4 with triplets: three big beats per bar, each carrying three flowing eighth notes. Bach's music is long in the public domain, and this arrangement is free for you to learn, print, and make your own.

Jesu, Joy of Man's Desiring — Intermediate · Classical
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e|────────────────────0───|───3─2─3───────────|─────0─────────────|───────────────────| B|────────────0─3─1─1───3─|─3───────3─0─────0─|─1─3───3─1─0───0───|─────────────1─0───| G|────────0─2─────────────|─────────────0─2───|─────────────2───0─|───0─2─────2─────2─| D|────────────────────────|─0─────────────────|───────────────────|─4─────0─4─────────| A|────────────2─────3─────|─────────────2─────|─3─────2─────0─────|─5─────0─────5─────| E|──────3─────────────────|───────3───────────|───────────────────|───────────────────| e|───────────────0───|───3─2─3───────────|─0─────────────────|───────3───────────| B|─0─────0─3─1─1───3─|─3───────3─0─────0─|───3─1─0───────────|───0─3───3─0───0─3─| G|───0─2─────────────|─────────────0─2───|─────────2─0───0───|─0───────────0─────| D|───────────────────|─0─────────────────|─────────────0───4─|───────────────────| A|───────2─────3─────|─────────────2─────|───────────────────|─────────────5─────| E|─3─────────────────|───────3───────────|─0─────3───────────|─3─────────────────| e|─3─────────────────|───────────────────|───────────────────|───────────────────| B|───────0─────1─────|─3───────────3─────|─1───────────0─────|───────────────1─0─| G|───────────0─────0─|─────2───────────2─|─────0───────────0─|─2───────2─0─2─────| D|─────0───0─────2───|─0─4─────0─4─0─4───|───2───────2───0───|───0─2─4───────────| A|───2─────────3─────|───────0───────────|─3───────3───2─────|─0─────5─────3─────| E|─3─────3───────────|───────────────────|───────3───────────|───────────────────| e|───────────────────|───────────────0───|───3─2─3───────────|─0─────────────────| B|─1───────────1─0───|─0─────0─3─1─1───3─|─3───────3─0─────0─|───3─1─0───────────| G|───2───────2─────2─|───0─2─────────────|─────────────0─2───|─────────2─0───0───| D|─────4─0─4─────────|───────────────────|─0─────────────────|─────────────0───4─| A|─5─────0─────5─────|───────2─────3─────|─────────────2─────|───────────────────| E|───────────────────|─3─────────────────|───────3───────────|─0─────3───────────| e|─3───| B|─0───| G|─0───| D|─────| A|─────| E|─3───|
Jesu, Joy of Man's Desiring guitar tab (full tablature)
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How to Practice This Tab

The challenge at this level is texture: the melody should sing legato on top while the bass notes ring underneath for their full value, two voices from one instrument. Let every melody note ring into the next wherever the fingering allows, and keep your thumb strokes soft but deep so the bass supports without thumping. Work on dynamic shape: each phrase gently rises toward its highest note and relaxes away from it, and the music should breathe at the ends of the four-bar phrases. Keep the tempo modest and steady; the piece is marches nowhere, it flows.

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This tab is rated intermediate, which means it is designed for guitarists at the intermediate level. You should be comfortable with basic chord shapes, simple riffs, and reading standard tablature notation before attempting this tab.

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